逝水年华

一直作(🍅)為米路斯．科(✒)曼劇本鐵三(sān )角（另一位是帕培錫，也是本(běn )片編劇(🎺)之(zhī )一）成員(yuán )的(🐉)艾(ài )雲．巴薩，當(🐮)然(🥩)也走低度戲劇(👋)路線。同是音樂家的(😎)彼(🚤)德(dé )與卡(kǎ )洛(🕔)老友(yǒu )重逢，生活(huó )狀(zhuàng )況大不同，你有伴侶我(🏐)有家(jiā )庭，然(rán )而(🎿)都(🎫)有說不(😚)出的不明朗，唯有以酒(🕕)與(yǔ )音樂代替口水。全(quán )片(piàn )(📎)推展(zhǎn )不問目(🌚)的，只(🛑)在剎那間的(❔)意圖(🦗)，行行企企比起科曼(🙂)更義(yì )無反顧，卻有(🤸)生活淡如流(🙀)水的詩意和繆思(sī )，叫觀眾聯想到二十年後(😍)的(de )伊力．盧(lú )馬。巴薩(🐀)鍾(zhōng )愛(ài )音(🧣)樂的程度不(👣)下於文字(zì )和電(diàn )(💹)影，古(🥊)典音樂(lè )與(yǔ )民間音樂於全片(🏻)迴(🐛)轉迴盪(dàng )，難怪成(🃏)了奇斯洛夫斯基十大心愛電(🙎)影(yǐng )之一(yī )。　　　　康城影展(🔤)青(qīng )年評(📸)審(shěn )團獎，美國全國(guó )(🍽)影評人協會特別獎　　　　這部1966年的珍(zhēn )品，是捷克新(xīn )浪潮(👗)短暫生命中最(🐂)佳(jiā )作品之一(🧘)。成名(míng )音樂家到小(🎴)鎮探訪舊同學(🏸)，舊同(🈺)學是個窮音(🈳)樂教師，有時在(🈂)喪禮上吹奏(zòu )樂曲。平凡(fán )的(✒)素材在巴素(sù )手(🍾)裡(🕵)，變(biàn )出(📯)風趣復(fù )罕見的旋律，一部憂(yōu )(🎆)鬱(⛎)的喜劇，或灰(huī )色喜(😼)劇(jù )。　　　　- Dave Kehr, Chicago Reader　　　　Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.　　　　Special Award, National Society of Film Critics Awards　　(💒)　(🛡)　Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.　　(🆒)　　- Elliott Stein, Village Voice　　　　Source HKIFF Czech New Wave 2006……