玻璃少女

迷幻(🕕)少女遇(👷)著過氣公(✒)安老(lǎo )頭(📼)，未必是貓捉(zhuō )老鼠(🕋)累鬥累，也可以是(shì )從(cóng )老前輩身上學(🥈)會認識自己。阿 P 為(😧)追阿初(chū )欠她(tā )的(de )債，偶然與阿初(😎)的外(wài )公相遇，兩個生活態度南轅北(👁)轍的(💆)人，就是(shì )這樣(🏐)在荒謬的處(chù )境中相(xiàng )互學(😚)習。阿P在當(🖍)中看(kàn )見年青一代的無奈：十(🚢)六歲的迷(🚣)途青春、愛情的(de )無(wú )助(🖲)、(🔢)軟(❔)性毒品的(de )蠶食(shí )、面對父母(🙂)失(shī )敗的婚(hūn )姻、自己渾噩(è )的前途(tú )....阿(⏰)初無故失蹤，又是否因抵(🕙)受不了同樣(yàng )殘(🏯)酷的青春？世情(🚴)像玻璃，有(yǒu )時看得透，有時不，相同的(👊)只(🛎)是：兩(liǎng )者同(tóng )樣(🈸)冰冷(lěng )易碎(🌹)。　(🐨)　The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.　(✨)　Source 25th HKIFF (2001)……